Three practices, seen in the making.
Semi-handmade trade production comes first: repeatable forms for professional tea service. Li Feng’s fully hand-built square ware and Lin Lai’s hand engraving show the deeper studio practices behind the same workshop culture.
Semi-handmade forming for repeatable tea service.
The current professional range is built around repeatable forms rather than one-off showpieces. Workshop sequences let buyers see forming and hand finishing beyond a single product photograph.
Square ware built by hand as structure.
Li Feng’s square-form vessels are fully hand-built around slab construction, planar transitions and the relationship between body, lid, spout and handle. Qingyu is shown step by step from body refinement through the finished form.
The vessel becomes the drawing surface.
Composition is developed across the curved ceramic body, then the line work is cut directly by hand. Finished engraved objects can be connected to published studio records in the Digital Archive.
Inspect the making, then return to the object you need.
For repeatable forms, continue to the Trade Collection. For individual hand-built and engraved works, continue to Masterworks and the Digital Archive.