Studio / Authors

Two studio practices. Eight selected works.

Li Feng builds fully hand-built Yixing forms. Lin Lai develops original compositions and engraves them by hand across the vessel surface. These author works sit beside — not inside — the repeatable Trade Collection.

Li Feng · Chengqi

Form built from line, plane and proportion.

Four fully hand-built works selected to show square-form structure rather than repeatable trade production.

Qingyu, a fully hand-built Yixing teapot by Li Feng
Li Feng · Chengqi

Square form begins with structure.

Li Feng’s square-form vessels are fully hand-built around slab construction, planar transitions and the relationship between body, lid, spout and handle.

See Li Feng making →Ask about an individual work →
Lin Lai

Composition made for the vessel, then cut by hand.

Four completed works selected to show figure, line density and composition across curved ceramic surfaces.

Lin Lai engraving a Yixing vessel by hand
Lin Lai

Composition follows the vessel.

Lin Lai develops composition across curved ceramic surfaces and engraves the image by hand. Published object records can keep the vessel maker and engraving role separate where they differ.

See engraving process →Open Digital Archive →
Trade or author work

Choose the route that matches what you are sourcing.

Repeatable professional forms live in the Trade Collection. Individual studio works remain author-led.

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